We see the majority of the action from the ‘Rear Window’ of L.B Jefferies’ flat. So naturally, we side with him and his point of view on the situation he’s in. In a normal position we would be almost put off by L.B’s stalker-ish nature, but because we’re with him (and he can’t get away from us anyway) we see it as a typical behaviour … Continue reading Rear Window (Alfred Hitchcock, 1954)