The classic way cinema is viewed is in a closed off box (literally and metaphorically). When the most exciting purpose of film is the opposite, it’s for challenging views and disorientating the audience. And that is exactly what ‘The Scar’ did. The film is presented as an art installation at ‘HOME’, viewed in three separate, transparent hanging cylinders: the state of the state, the mouth … Continue reading The Scar (Noor Afshan Mirza and Brad Butler, 2018)